
At dusk the nineteenth century fair thrummed, its canvas tents and iron loops humming with a steady, vibrating engine noise as lamplight pooled along worn cobbles. Two stilted figures—one in a tall coat and hat, the other in a red dress—were mounted on poles as living signposts so they could scan the crowd and call a planned rendezvous. On a velvet-draped pedestal a crystal globe glowed with the question Where Vojta?, placed there by the organizers as a prophetic beacon to gather anyone who might break the silence. The fair's circular paths and looping tracks forced people to pass the globe in tidy cycles, turning the question into a refrain that circled the grounds. The performers kept their balance on rough wood and rope, feeling each tensioned muscle as they peered for a name whispered from the crowd or footsteps that would change the pattern. Despite triumphant shouts and repeated searching, Vojta remained unfound as the lamps guttered and the carnival kept its convergent, cyclical rhythm.